The most challenging aspect of this phrase is transitioning from 五 to 1. Nearly all beginners tend to blow too forcefully when trying to produce kan on 1. However, blowing hard on kan on 1 is counterproductive. Doing so will result in an aggressive and airy sound instead. Here is an effective way to practice this phrase.
First, practice just playing 五 1、五 1、repeatedly. Instead of tightening your lips and blowing hard for 1, keep your mouth relaxed and think about using a slow and steady breath for 1. Connect to your lower body and use diaphragmatic breathing to propel the power (not use the mouth power).
Do this over and over every day. Even if you feel like you are not making any progress, keep on practicing. Don't try to make a loud sound, but rather, strive for a smooth transition.
Remember that with most shinobues, both the ryo on 1 and kan on 1 will not produce a loud sound. Expecting a big sound may trigger you to blow too much air.
Once you feel more comfortable with playing 五 1、then try playing 三 五 1 1. This may take weeks.
In the mean time, practice 三 五 六 五 三 五.
Lastly, combine the entire phrase. This may take months, so practice other phrases concurrently.
Play along with the slow-motion versions of my fingering tutorial.
The Second Phase:
六 六 五 三 一 二 三
The challenging part of this phrase is finding the beautiful ryo on 1. In order to make a rich and resonating ryo on 1, practice ryo on 1 only over and over every day. Here are some tips.
Play ryo on 1 as a long tone. Use your lower body to keep a steady, very slow breath. Then take a rest. Then, take a low breath and repeat. Don't forget to take your time to take a low breath each time. If you don't take the low breath, don't even start playing since it won't be good anyway.
Pretend you are singing low notes to open your throat.
Create "OH" shape with your mouth.
Use "warm breath" and not "cold breath". "Warm breath" is the breath you use when you try to warm your hand in cold weather.
To play the shinobue effectively, it's important to remain calm, as your stress levels can easily affect your breath. This is particularly true when playing the ryo on 1. It’s essential to slow down your internal tempo.
If you're struggling with ryo on 1, it may be because your mind is racing from the busyness of your day. Take a moment to set aside thoughts of work, social obligations, or other distractions. Allow yourself to enter a zen-like state for five minutes; your ryo on 1 just might appear.
Ryoan ji (Kyoto)
The Third Phrase
This is identical to the first phrase.
The Forth Phrase
Very similar to the second phrase.
The Fifth Phrase
二 三 二 五 六 六 五 六
Make sure your yubiuchi for the repeated notes (ryo on 6) is nice and crisp.
The Sixth Phrase
1 1 七 六 五 五 三
We often tend to blow too hard at the beginning of a phrase, and since this particular phrase starts with kan on 1, it becomes even more tempting to blow the air.
To practice starting with kan on 1, do this exercise repeatedly. Take a low breath, form the correct embouchure, and engage your lower body to start the sound. Don't blow with your lips. Initiate the sound by just using your lower body. You might find it helpful to squeeze your buttocks or engage your "tanden" for better breath control.
The rest of the song is a repetition of the phrases 3 and 4.
I hope you find this song helpful and fun for practicing ryo on 1 and kan on 1! You're going to do awesome! ❤️
I heard cherry blossom was in full bloom in Tokyo this week!
Ghibli fans! This "Always with Me - Spirited Away" cover got close to 500 views on the first day! I wish I could cover more Ghibli songs, but many of them are not suited for shinobue... But this one sounds good with shinobue! Check it out!
Back in May, I had the wonderful chance to interview the amazing shinobue artist and composer Tatara Toki-sensei in Tokyo! If you haven't checked her interview out, be sure to watch it! It's awesome!!
Speaking of Spirited Away, the photo below was genuinely taken by me last year on the way to Izu in Japan! The man in the hat, with the ocean in the background... I was like, "Wait, am I on the Spirited Away train right now?" 😳 😵💫
Answer: This may come as a surprise, but the shinobue is not very well-known in Japan. Many people there are unfamiliar with this type of flute and may not even recognize the kanji "篠笛." Instruments like the shakuhachi, koto, and shamisen are much more mainstream than the shinobue.
Finding quality shinobues in Japan can be challenging, as can locating skilled teachers and sheet music for the instrument. However, this relative obscurity allows shinobue artists greater freedom, as they are not constrained by strict traditions.
Want to speed up the progress? Take shinobue lessons!
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Are you interested in Japan? Imagine diving into their culture and learning to play a beautiful ancient musical instrument! Why not give the shinobue a try? This lovely Japanese bamboo flute is easier to learn than you might think. Many folks (even without any musical experience) are discovering the rich traditions of Japan through this amazing instrument. I invite you to check out my website, saitomusic.com, where you'll find a wealth of free information that used to be available only in Japanese. You can easily purchase a beginner shinobue there at an affordable price. Also, don’t miss my YouTube channel, “Miki Saito Shinobue Adventure,” where I share anime and video game covers and fun tutorials. And be sure to subscribe to my free newsletter to support you on your shinobue journey! I can’t wait to see you there!